Live Flesh (1997)
Figures
Form & technique
- The film's framing scenes: Víctor's birth (1970) and his son's birth (1997) → National Allegory
- The final scene where former antagonists form a new, unconventional family unit
- The graphic and messy scene of Víctor's birth on a bus floor → The Abject Aesthetic
Tropes
- David's paralysis and career as a paralympic basketball star
- The plot's transformation from Ruth Rendell's novel to Almodóvar's film
- The crisscrossing romantic and violent relationships between the five main characters
- The power dynamics of looking, particularly involving the paralyzed David
- The contrast between dark, cramped interiors and bright, open public spaces of Madrid → Cinematic Psychogeography
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